凤凰娱乐 > 专题 > 美国保罗泰勒舞蹈团亚洲巡演 > 相关新闻 > 正文 |
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| 相关标签 | [《拜占庭》] |
《拜占庭》（1984）：
神秘莫测的音乐、气势磅礴的布景、宗教色彩的仪式、别出心裁的动作，保罗·泰勒在这个只有20分钟的现代舞中，再造了拜占庭这个14-15世纪经济、政治、文化超级大国的兴衰与枯荣。
In a dance with stunning movement invention, spectacular sets and a spiky score by the iconoclastic Edgar Varèse, Paul Taylor recalls the Byzantine Empire, an economic, political and cultural “superpower” whose thousand-year reign ended in the 15th Century. The dance begins with a quartet of holy figures performing a religious ceremony, after which a flagellant engages in repentance. With the passage of time, morality decays and, with the dancers staggering as if from an earthquake, the empire collapses – as empires often do.
“Taylor is revisiting the Dante circles of hell… A savage work, full of brutalized images, pictures of destruction and suggestions of decay. Taylor’s apocalyptic vision is gross and nasty, appallingly graphic, yet mightily effective in its fierce-etched power.” – Clive Barnes, New York Post
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编辑：
沈子超
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